theatre

  • HYENAZ have a vast body of work in location sound, musical scores, sound design, voice overs and post production. As performers with experience both behind and in front of the camera, on and off the stage, they thrive in projects where sensitivity and imagination are desired. With their longstanding practice in sound design, they bring a deep awareness of the needs of post production when recording audio on set.

    CASE STUDy: Chokehole – Drag Wrestlers Do Deutschland

    Desire Productions

    Chokehole is a New Orleans-based drag wrestling show that travelled to Hamburg’s Kampnagel Theatre in 2022. HYENAZ approached Chokehole’s audio challenges with a hybrid strategy of precision and adaptability. During rehearsals, they deployed discreet wireless lavalier mics and booming to capture both in-depth interviews and spontaneous moments between performers, prioritizing mobility to avoid disrupting their pre-show rituals.With tight turnaround times between backstage prep and stage cues, our setup allowed seamless transitions from intimate confessional-style dialogue to dynamic group interactions, all while maintaining broadcast-ready clarity.

    Anticipating licensing constraints for the show’s music, we mapped key moments during rehearsals to identify irreplaceable vocal textures and environmental sounds—body’s landing on the ring, performer’s signature sounds—that would later anchor the soundscape in post production, alongside original music we composed to drive the madcap arc of these renegade wrestlers.

    Case Study: Umoⁿhoⁿ — Against the Current

    Humboldt Forum

    For this documentary installation centering the Umoⁿhoⁿ people’s resilience, HYENAZ’s Roi Fischer focused on capturing sound with cultural and emotional fidelity. Working across Nebraska’s open plains, communit college spaces, subjects’ homes, and communal gathering sites, Fischer adapted techniques to each context. Many of the interviews exploring difficult material including intergenerational trauma, so Fischer prioritized discretion while honoring their words with clear, initimate recordings.

    equipment list

    EquipmentDaily Rent
    Sound Devices MixPre-6 II Portable, Six-Track Audio Recorder with Timecode30
    Sound Devices 702T Portable, Two-Track Audio Recorder with Timecode20
    Sony UWP Dual Wireless Lavalier Microphone system (470.025-542.000MHz):
    1 x URX-P03D two channel receiver; 2 x UTX-B40 body pack transmitters;
    2 x Sony ECM-V1BMP Lavalier Microphones
    30
    Schoeps CMC 641 Supercardioid Shotgun Microphone30
    Sennheiser MKH-416 Hypercardioid Shotgun Microphone15
    Electrovoice RE-20 Cardioid Dynamic Microphone15
    Tentacle Sync Time Code Generator12
    Rode Blimp MKII + boompole 2m10

    All prices in € and excluding VAT

  • Dates

    21-23 February 2025Ballhaus Ost

    Welcome to a living room that turns into a smouldering scene of remembering and forgetting. Here, between a grandmother suffering from Alzheimer’s disease and her daughter, worlds collide: an interplay of anger, sadness, despair and disorientation. What remains when memories fade and the past becomes an unreliable companion?

    Damage Done takes the audience on a journey through the fragility of memory and the construction of identity in a world that wants to save everything. The starting point is private video recordings from the family archive that were never intended for the public. But it is precisely this intimate closeness that challenges us to pause and ask questions: What does this material show – and what does it do to us who view it?

    Through a collaborative process, the recordings are dissected, reinterpreted and translated into images, movements and dialogues. Alternative forms of communication emerge, transforming the stage into a multi-perspective space in which remembering and forgetting are negotiated in equal measure.

    Credits

    Concept, DirectionTobias Yves Zintel
    Sound DesignHYENAZ
    ScoreHYENAZ, Daniel Murena
    PerformersJuno Meinecke, Adrienne Teicher, Anatol Käbisch, Janet Rothe, Rasmus Slätis, Karen Zimmermann, Kathryn Fischer
    Director’s AssistantKaren Zimmermann
    StageSabina Moncys, Tobias Yves Zintel
    CameraShane Mcmillan
    Produced byTobias Yves Zintel in co-operation with Ballhaus Ost
  • Dates

    12-15 June 2019Maxim Gorki Theatre, Studio Я
    Photo Esra Rotthoff

    Five queer Berliners of different generations and backgrounds take the audience on a performative journey through Berlin’s queer history between Pankow and Schöneberg, Friedrichshain and Kreuzberg, Mahlsdorf and Charlottenburg.

    In search for the intersections of queer identities in a collective consciousness, they liquefy time, space, body and gender and connect with ancestors and future generations. The performers have been living in Berlin for generations or have recently moved here. They will channel their icons, ex-lovers and former selves to draw a political-personal portrait of queer Berlin between East and West.

    Credits

    Text and DirectionYony Leyser
    WithHYENAZ, Adrian Marie Blount, Jair Luna, Zazie de Paris
    Sound DesignHYENAZ
    DramaturgyTobias Herzberg
    Stage Design & VideoShahrzad Rahmani, Camille Lacadee
    Costume DesignAnne Fidler