violence

  • Eine Blutung im Dunkeln

    Dates

    3 October 2021Weltecho Chemnitz
    14-15 June 2021TD Berlin
    25 October 2020Münchner Kammerspiele

    On October 3, 1938, just before Pogrom Night, the city of Dortmund ordered the city’s Great Synagogue to be torn down. On October 3rd, 2020, just a few meters from the square of the Old Synagogue, the city theater opened its season with this text. After Munich and Berlin, the writer Sivan Ben Yishai is performing her text in a special collaboration with the duo HYENAZ: “Our city from bird’s eyes / bleeding in the dark”. The performative, musical reading is a meditation on the 35 days of repentance, which lie between October 3 and November 9, and draws an arc from the past to the future.

    Credits

    Written & Performed bySivan Ben Yishai, HYENAZ
    Sound Design & Musical PerformanceHYENAZ
    VisualsPatricia Bateira
    Production AssistanceLuise Heiderhoff
    German TranslationMaren Kames
  • The 2020 edition of the Droste Festival features a dialogic project between authors Sivan Ben Yishai and Maren Kames. These two incisive voices of a younger literary generation interrogate war, peace, and their transhistorical entanglement with language, engaging Droste’s legacy as both interlocutor and spectral collaborator. The project is produced by and features HYENAZ, who weave sonic architecture and filmic praxis into the discourse as well as performing in the work.

    Credits

    Conceived & Written bySivan Ben Yishai, Maren Kames
    Performed bySivan Ben Yishai, Maren Kames, HYENAZ
    Sound Design & Filmic PraxisHYENAZ
    Commissioned byBurg Hüllshoff Center for Literature

  • (8 Soldiers Moonsick)

    Dates

    8-11 November 2019Maxim Gorki Theatre, Studio Я

    Eight young female bodies are lying in a tent, breathing in unison and protecting the rifles under their mattresses, waiting for the next mission. Their nightmares during the night and the daydreams of army’s everyday life are experienced together.
    Again and again the soldiers circle the multiple possibility of their own death. What dies in a person when they operate the trigger of a loaded gun? When does the dispossession of your own body begin?
    In the fourth part of her tetralogy, Let The Blood Come Out To Show Them, writer Sivan Ben Yishai holds a ceremony of memory. Which visible and invisible traces does serving the so-called fatherland leave in a person?

    Selected for Radikal Jung – Festival für junge Regie 2020.

    Credits

    Written bySivan Ben Yishai
    Directed bySasha Marianna Salzmann
    Sound DesignHYENAZ
    Stage & CostumesCleo Niemeyer
    DramaturgyRebecca Ajnwojner
    Dramaturgic AdvisorAnna Heesen
    Lighting DesignFritz Stötzner
    Sound EngineerMiloš Janjić
    TranslationMaren Kames
    CastKenda Hmeidan, Abak Safaei-Rad, Elena Schmidt, Catherine Stoyan